Unit 9. Phrases: vii°⁶
In addition to inversions of tonic and cominant to create complete progressions, we can use the dominant substitute, vii°⁶. Now we have a chord to harmonize scale degree 2 in the bass. These progressions use only I, I⁶, V, V⁶, V7, and vii°⁶.
Directions:
Write in the soprano notes on the staff, and the scale degree numbers above all the soprano notes. The first note is given.
Write in the bass notes on the staff. The first note is given.
Write the Roman numerals below the staff. The first Roman numeral is given.
